Savannah maintained separate and unequal public park systems for black and white people from the end of the Civil War until the Civil Rights Act of 1964. Black Savannahians were barred by custom from entering the largest and finest parks due to Jim Crow segregation.
As a graduate student in public history at Georgia Southern University, I wanted to learn how the City of Savannah enforced park segregation through a combination of social customs and administrative actions.
I interned at the City of Savannah Municipal Archives and continued researching this topic alongside archives director Luciana M. Spracher.
This resulted in the curation and creation of a digital exhibit, “Jim Crow in Savannah’s Parks,” using official documents to detail how racism openly guided decisions by the City of Savannah’s Park and Tree Commission, and by the Mayor and City Council, who decided where and when to build and improve parks and recreation facilities.
The resources of the Digital Library of Georgia were critical to my research.
A digitization subgrant from DLG that was awarded recently to the City of Savannah Municipal Archives paid to digitize the minutes of the Park and Tree Commission from its founding in 1896 through 1972.
I read through sixty years of meeting minutes, a task made possible during the COVID-19 pandemic only because these records were digitized and freely available online, which made it possible for me to access them from home.
The Digital Library of Georgia also has digitized copies of the speech books of Malcolm R. Maclean, the mayor who guided Savannah toward agreements desegregating restaurants, hotels, theaters, and other public accommodations even before the Civil Rights Act of 1964.
Black-owned newspapers chronicled Jim Crow in Savannah, while the “white” press largely ignored it until the 1950s. The Georgia Historic Newspapers website, maintained by the Digital Library of Georgia, gave me access to decades of the Savannah Tribune, Savannah’s leading black newspaper, which I also used in the exhibit.
The digital exhibit, “Jim Crow in Savannah’s Parks,” is hosted by Georgia Southern University, with links from the City of Savannah website. You can view the exhibit at georgiasouthern.libguides.com/savannahparks
In 2020, the Digital Library of Georgia partnered with the Rylander Theatre, providing $7500 worth of services as part of its collaborative digitization grant program. Together, they built and described Rylander Theatre Special Collections, a digital collection covering the theater’s “first life” spanning 1921-1957. The collection includes rare photographs of the building and the small businesses in its Americus business neighborhood, as well as membership cards, numerous souvenir programs, theater posters, coupon books, fliers, and handbills.
“I consider the Rylander Theatre’s history to be part of President Carter’s history, as the young Carter would often attend shows at the theatre during the same era these items were created.”
United States presidents have often intermingled with motion picture culture throughout history. Former presidential appearances in Hollywood films include Donald Trump’s cameo in Home Alone 2 (1992), Bill Clinton in First Kid (1996), or the actor-turned-politician Ronald Reagan’s performances in Alice in Movieland (1940) and It’s a Great Feeling (1949). However, former president Jimmy Carter holds the crown for the most movies watched at the White House Family Theater, with 480 films seen during his 4-year term.
Carter, now 97, served as the United States’ president from 1977 to 1981. Before being elected president, Carter served in the U.S. Navy under Admiral Hyman Rickover, who led the U.S. nuclear submarine program; two terms in the Georgia Senate (1963-1967, pp. 382-383 of PDF); and one term as Georgia’s governor (1971-1975, pp. 27-28 of PDF). Defeated by Ronald Reagan in the 1980 presidential election, in 1982, Carter and former first lady Rosalynn Carter established the Carter Center, a non-partisan public policy organization.
Away from the high-stakes environment of Carter’s numerous careers, his secret love for movies was born in Americus, Georgia’s Rylander Theatre. After leaving his childhood town of Plains, Carter attended Georgia Southwestern College (later renamed Georgia Southwestern State University) in Americus, where he found the historic theater and soon became its most celebrated patron.
During his college years, Carter would often attend the Rylander Theatre’s movie screenings since it was one of the first establishments to show “talkies,” or movies with sound, that had transitioned from silent film between 1926-1930. These films, shown during the theater’s “first life” (1921-1951), were part of a program that included musicals, vaudeville shows, and silent films. Many advertisements for these events are available in historical issues of the Americus Times-Recorder in the Digital Library of Georgia’s Georgia Historic Newspapers portal and digitized through the National Digital Newspaper Program.
Carter’s passion for cinema grew during his term in the Oval Office. As a result, the genre or meaning behind a specific movie he watched would often coincide with key events during his presidency.
Some movies that President Carter watched during his term in office (with links to his diary entries on those days):
Thanks to Carter’s presidential daily diary, we can see that he and First Lady Rosalynn Carter viewed Star Wars (1977) on February 4, 1978, accompanied by Anwar and Jehan Sadat, the president and first lady of Egypt. This viewing coincided with one of the numerous visits from the Sadats throughout Carter’s presidency. Discussions from this February visit grew into the Camp David Accords in September of 1978, when Carter brokered a peace deal between Sadat and Israeli Prime Minister Menachem Begin. Whether or not the screening of Star Wars had an impact on the peace treaty is unknown, but conspiracy theorists have had fun imagining so over the years.
Another intriguing relationship from Carter’s watchlist includes viewing The Life of Emile Zola, a movie about the Nazi invasion of France during WWII (June 7, 1978). He watched this film on the same day he delivered a graduation speech at the United States Naval Academy in Annapolis, Maryland, emphasizing the importance of human rights in foreign policy.
The former president also viewed Frank Capra’s The Lost Horizon (1937) on September 15, 1979,one day after his approval ratings dropped to the lowest point for any president in three decades. On the same day, he fainted during a 10K road race. The Lost Horizon, a drama about a group of plane crash survivors who land in the remote Himalayas, likely served as an escape for Carter during the troubling times of his term.
As the 1950s began, The Rylander Theatre had already started to see the end of the business as they knew it. A new and larger theater, namely The Martin Theatre, began pulling in the business of Rylander’s market and even started taking major movie releases, relegating Rylander to “B-grade” movie screenings. As of 1951, the Rylander Theatre was closed for business indefinitely.
Its doors would remain closed until the city of Americus, Georgia, Governor Roy Barnes, and other foundations and private donors managed to raise 4.8 million dollars in funding to restore the building. Then, reopening on President Carter’s birthday, October 1, 1999, along with an auditorium (the Jimmy Carter Auditorium) named after the former president, the “finest playhouse south of Atlanta” began anew. The meticulous renovations were rewarded with a 2000 Preservation Award from the Georgia Trust for Historic Preservation.
Since reopening, the Rylander Theatre has offered live performances, musicals, and organ concerts on its 1928 Möller Deluxe Theatre Pipe Organ (one of only three in the state), movies, community theater, as well as other events throughout the year.
Like many other small businesses, the COVID-19 pandemic impacted the theater significantly, causing financial hardships and resulting in the theater’s closing its doors for an entire 13-month period, spanning from March 2020 to April 2021. Thankfully, since then, the theater has reopened for weekly programming.