I want to ride my bicycle

Jesse Mercer Archer, Hancock County, Georgia, between 1895 and 1900

I recently purchased a bicycle. While it lacks the nifty bell possessed by this dapper gentleman’s bike (as pictured on the left), it does otherwise appear little changed to the casual eye. The larger difference by far is found in the rider, and I will not anytime soon be seen on, or even posing by, my new bike in a suit, tie and hat.

Style is a sacrifice, particularly if you insist upon it crossing boundaries. Living in Athens, Georgia, one sees spandex clad bikers at all times and places. Below are photographs of  a time when riders eschewed hyper-specific sports wear for the dignified clothes of their daily lives.

The DLG – and more specifically the Vanishing Georgia collection – has many historical photographs of bicycles, bike riders and even bike shops. Take a look.

Cook and Gentry Bicycle Shop, Rome, Floyd County, Georgia, ca. 1897
Group on bicycles, not after 1904
Florence Timmerman with a new bicycle, Lanier County, Georgia
Man on tricycle, Cedartown, Polk County, Georgia, ca. 1895
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Historic architecture and landscapes

Cherokee Phoenix print shop

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The Hubert Bond Owens and John Linley collections contain some 1,500 images of representative architectural sites and landscapes in Georgia.

Owens and Linley were professors in the College of Environment and Design at the University of Georgia and were well-known in landscape architecture and architecture circles.

Users may search the collection in a variety of ways:  by owner or architect, by architectural style or by type of building material. The collection also provides links to information from the National Register of Historic Places, the Historic American Buildings Survey, iphone 6 plus remplacement écran the Historic American Landscape Survey and the Historic American Engineering Record.

The database contains detailed descriptions of the structures and landscapes, and users also will be able to put each into its wider context by consulting the essays and other supplemental materials. The hope is that users will gain insight into how Georgia’s environments reflect societal and cultural values in the state.

Abandoned kaolin mine

In many cases, the slides and photographs – taken from the 1940s to the 1980s – document structures or landscapes which have been altered or no longer exist.

“This collection is a valuable tool for researchers, lovers of quality environments and students,” said Pratt Cassity, director of public service and outreach for the UGA College of Environment and Design. “This is a timely way to connect the university with its former educators, especially these two gifted teachers, influential men and great designers.”

Linley terraced garden
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