Historical aerial photography indexes that chronicle changing land use in all of Georgia’s 159 counties from the 1930s to 1990s are now available freely online.

Along with our partners at the University of Georgia Map and Government Information Library (MAGIL), the Digital Library of Georgia has made the Georgia Aerial Photography Index Collection available at https://dlg.usg.edu/collection/gyca_gaphind, now providing online access to more than 1200 indexes produced by U.S. government agencies, including the U.S. Department of Agriculture’s Agricultural Stabilization and Conservation Service (ASCS). Indexes covering all 159 Georgia counties are available with coverage ranging from the 1930s to the 1990s. The Georgia Aerial Photograph Index Collection provides access to digital versions of all Georgia county indexes in MAGIL’s physical collection. Previously-digitized indexes of select counties in the State of Georgia, along with approximately 50,000 black and white photographs, are available in the Georgia Aerial Photographs database.

Aerial photography depicts the physical and cultural characteristics of land at a specific time. The images can provide insights into various fields from ecology and geography to history, archeology, and urban planning. In addition to aiding in the mapmaking process, aerial photographs can be used to settle legal issues such as property disputes and even identify ancestral sites for people researching genealogy, according to the National Archives website https://www.archives.gov/research/cartographic/aerial-photography.

“MAGIL’s aerial photography collection is heavily used by researchers looking for everything from the existence of the old family farm to the first appearance of a bridge to the development of an intersection over time,” said Valerie Glenn, the head of UGA’s Map and Government Information Library and Federal Regional Depository Librarian. “By making these indexes available through the Digital Library of Georgia, we are greatly improving access for those users interested in how Georgia land has or has not changed and providing them the ability to conduct preliminary research on an area without having to travel to Athens.”

Allison Haas has used these materials in her research, working for EDR/Lightbox. “Daily I use materials from the Map and Government Information Library for historical property research on commercial real estate sites as part of the environmental due diligence process,” Haas said. “Historical aerial photographs are key elements in the reports we provide to our clients. Quick turn around on these reports is very important. Online access to this collection has improved workflow and helps get the reports to our clients quickly.”


Selected Images: 

Dekalb County, 1938: Aerial photography index
https://dlg.usg.edu/record/gyca_gaphind_dekalb-1938
[attachment: gyca_gaphind_dekalb-1938-00001.png (page 1)]

Dekalb County, 1938: Aerial photography index



Glynn County, 1981: Aerial photography index
https://dlg.usg.edu/record/gyca_gaphind_glynn-1981
[attachment: gyca_gaphind_glynn-1981-00001.png (page 1)]

Glynn County, 1981: Aerial photography index



About the University of Georgia Map and Government Information Library (MAGIL)

The Map and Government Information Library (MAGIL), a unit of the University of Georgia Libraries, acquires, organizes, and provides access to cartographic and government information. It is located in the sub-basement of the Main Library on North Campus.

The UGA Libraries serves as Georgia’s regional depository for documents published by the Federal government as well as the official depository for documents published by the State of Georgia. Its collections also include select international and United Nations documents. Cartographic resources include maps, aerial photography and remote sensed imagery, atlases, digital spatial data, and reference materials, with a particular emphasis on the state of Georgia. 

Maps and government documents have been an integral part of the University of Georgia Libraries for more than 100 years. For more information, read about the history of MAGIL. 

Share

The Georgia Folklore Collection

Video of Nathaniel and Fleeta Mitchell, Georgia, 1984. Georgia Folklore Collection, courtesy of the Walter J. Brown Media Archives and Peabody Awards Collection, University of Georgia Libraries, Athens, Georgia via the Digital Library of Georgia.
Video of Nathaniel and Fleeta Mitchell, Georgia, 1984.
Georgia Folklore Collection, courtesy of the Walter J. Brown Media Archives and Peabody Awards Collection, University of Georgia Libraries, Athens, Georgia via the Digital Library of Georgia.

We are excited to announce the arrival of the Georgia Folklore Collection through our partnership with the Walter J. Brown Media Archives and Peabody Awards Collection. The Georgia Folklore Collection includes over one thousand hours of music, interviews, and storytelling.

The Georgia Folklore Collection consists primarily of field recordings made by Art Rosenbaum donated to the University of Georgia Libraries Media Archives in 1987. The collection also contains associated collections of sound and video recordings from around Georgia, including those made between 1955 and 1983 by volunteers from the Georgia Folklore Society.  Some of the artists represented in the collection include the Tanner family, Reverend Howard Finster, the McIntosh County Shouters, Doodle Thrower and the Golden River Grass, Neal Pattman, Joe Rakestraw, Jake Staggers, the Eller brothers, Doc and Lucy Barnes, Nathaniel and Fleeta Mitchell, R. A. Miller, W. Guy Bruce, Precious Bryant, and many more.

Ruta Abolins, the director of the Walter J. Brown Media Archives and Peabody Awards Collection describes the history of the collection: “The field recordings of the Georgia Folklore Collection were gathered by individuals wanting to collect music and the musicians unique to Georgia. In that group were people like Art Rosenbaum, now a retired art professor at the University of Georgia, George Mitchell, a music historian, and others who collected the recordings during the 1950s to 1980s. They were inspired by the work of Alan Lomax and the field recordings he made all over the world.” Abolins notes:  “The collection as a whole is so rich and diverse that anyone with even a passing interest in music or folklife can find something interesting and informative. I just hope that the content is used to educate, entertain, and inspire.”

Abolins describes the process of making this collection available online:  “We decided what should be digitized and the analog to digital file creation was taken care of by a vendor. We had gathered our basic metadata together and provided that information to the Digital Library of Georgia. The DLG then created the records for the DPLA and now we are represented in a fantastic portal that leads to digital content from all across the United States. It is a win-win-win-win project. Great for the Brown Media Archives, great for the Digital Library of Georgia, great for the Digital Public Library of America, and most importantly a great win for the American people.”

We hope that you take some time to explore the Georgia Folklore Collection and learn more about the Georgia artists represented therein.

Share