Kailey Joy McAlpin, a Ph.D. student at Georgia State University, explores Georgia’s women reformers of the Progressive Era, some of whom include Mary Latimer McLendon, Mildred Lewis Rutherford, Carrie Steele, Helen Pendleton, Lugenia Burns Hope, Jessie Daniel Ames, Selena Sloan Butler, Martha Berry, and Julia Flisch.
“Lugenia Burns Hope.” 1871/1947. February 27, 2024. Courtesy of New Georgia Encyclopedia
These women came from different class backgrounds and had different racial attitudes and practices. McAlpin uses the theme and motto “Thy Neighbor as Thyself” to center the work done by Black women during the Progressive Era, both with and without the support of their white Progressive counterparts.
“Graduating Class of Atlanta School of Social Work, circa 1920.” February 27, 2024. Courtesy of Atlanta University Center Robert W. Woodruff Library
McAlpin’s work dedicates itself to bringing the differences between white and Black women reformers to light. She explains that access to materials, resources, and support was much more abundant to white women than their Black peers, not to mention the actual risk of life and limb posed to Black women, particularly with regard to suffrage. She states:
“While Black suffragists in the North could form organizations and advocate for voting rights, the hostile racial climate of the South and fear of violent retaliation from Southern whites kept many Black women from making public demands for suffrage. Despite the looming threat of assault and death, some Black women did publicly advocate for suffrage, and examples of Black suffrage organizations have been recovered in Tuskegee, Alabama, Charleston, South Carolina, and Memphis, Tennessee. While evidence of Black women’s suffrage in the Jim Crow South has often been hidden from the historical record, there was doubtless support for voting rights that took place behind closed doors in spaces removed from white surveillance.”
For better or worse, the engagement of these women and their respective organizations with their day’s pressing political issues and social concerns had a tremendous impact on voting access, child labor laws, rural education, public health legislation, racial inequality and injustice, and other social causes.
Box 7, Folder 4, Selena Sloan Butler papers, Archives Division, Auburn Avenue Research Library on African-American Culture and History, Atlanta-Fulton Public Library System.. “Photographs, Selena Sloan Butler, undated.” 1886/1893. February 27, 2024. Courtesy of Auburn Avenue Research Library on African-American Culture and History
Each year, DLG and NGE staff and graduate student interns curate Georgia Exhibits exhibitions to shed new light on understudied corners of the state’s history and showcase the remarkable breadth and depth of authoritative resources and historical content in the DLG and NGE. We offer all of these resources freely online.
K-12 educators take note: This exhibit serves our Georgia K-12 social studies audience by aligning with theGeorgia Social Studies Standards of Excellence (GSE) standardSSUSH13: Evaluate efforts to reform American society and politics in the Progressive Era.
In 2018, I curated an exhibit for the University of Georgia’s Hargrett Rare Book & Manuscript Library. Titled “The New South and the New Slavery: Convict Labor in Georgia,” it examined the history of forced prison labor in Georgia beginning with the inception of the convict lease system in 1868 until its abolition in 1908, its transformation into the chain gang system that lasted until the 1940s, and its continuation with mass incarceration. After speaking with the Digital Library of Georgia and the New Georgia Encyclopedia about this project, they were enthusiastic about adapting the physical exhibit into a digital one. The online exhibition, The New South and the New Slavery, is the result of this collaboration.
As a scholar who specializes in late 19th- and early 20th-century African American and American Indian literature published in the periodical press, newspapers are among the first resources I consult when exploring a particular cultural or historical moment. I heeded the same process to investigate Georgia’s convict lease and chain gang systems. Coverage from the Atlanta Georgian and News and the Athens Weekly Banner was especially insightful. Some notable stories gleaned from these publications included: a mutiny on behalf of Black and white female prisoners in Milledgeville, the flogging of a female prisoner named Mamie de Cris, coverage of a hungry Georgia resident jailed for stealing a chicken, the testimony of an assaulted female prisoner, and reports of Athens-Clarke County’s demand for incarcerated populations for road construction surrounding the University of Georgia. More than ten newspaper accounts from the original Hargrett exhibit were found in periodicals digitized by the Georgia Historic Newspapers database.
What remains little-known of Georgia’s carceral systems is the fate of orphaned children whose parents were sentenced to labor in prison camps as well as the fate of those born in these camps. After insightful conversations with colleagues and visitors who toured the Hargrett exhibit, I began researching Black-run and -owned charitable institutions in Georgia. As anyone who has spent time steeped in the archives understands, one of the excitements of this kind of research is that, in searching for one story, you are often led to another. One such welcome surprise was the story of Martha Bass Holsey (ca. 1869-unknown), an African American upholsterer from Athens, Georgia, who reached across racial barriers in the Jim Crow South to establish a charitable home that served as an orphanage as well as a daycare for working Black families.
Martha Bass Holsey was born in Georgia in 1869, just after the Civil War. She lived for a long period of time in Athens, Georgia, where she worked variously as a dressmaker, upholsterer, seamstress, housekeeper, and nurse. In Athens-Clarke County in 1906, she married Albon Holsey, where they lived on Barber Street with their four children, Augustus, Crosby, Willie, and Mary. Newspaper accounts and meeting minutes of the Athens woman’s club detail Bass Holsey’s tireless, resourceful efforts to collaborate across racial lines to build an institution for Black Athenians. The story of her activism began to unfold with a 1907 report by Mary Ann Rutherford Limpscomb in the Athens Weekly Banner, in which Lipscomb recounted Bass Holsey’s plan for the orphanage and daycare. Because the local African American women’s club lacked the necessary funds to build an orphanage, Bass Holsey in 1907 approached Lipscomb, who was then the president of the Georgia Federation of Women’s Clubs and a member of the local white Athens woman’s club. Together, they charted a plan: Bass Holsey would locate a suitable house to rent and a matron to care for the children, and Lipscomb would enlist the woman’s club to provide funds. In December that year, Bass Holsey, members of the Black community, and Lipscomb and her fellow woman’s club members gathered at the local African American Baptist Church to deliberate. The Home opened in January 1908. It was supported by both white and Black Athenians. The Home’s ongoing success was due in large part to Black residents of Athens, who regularly donated food and money.
There is much that remains unknown about Bass Holsey’s life beyond her institution-building initiatives. The death of Albon in 1913 left her widowed. While her whereabouts after his death are yet unclear, there are ample records of her two sons, Augustus (ca. 1889-1967) and Crosby (ca. 1893-1962), who served in the US military in World War I. Augustus attended Hampton Institute in Hampton, Virginia, before leaving school to enlist in the war, during which he served with a field artillery unit. He retired as a post office carrier in Baltimore, Maryland, and he is buried in Baltimore National Cemetery. Crosby enlisted in World War I, as well, and he served as a cook in the 365th Infantry. After the war, he worked as a railroad porter in Baltimore, where he lived with Augustus and Augustus’s wife, Estella. There are more gaps to fill with regard to the Holsey family history.
Until recently, a looming question remained: Where was the Home located? I spoke to David Mitchell, the Executive Director of the Atlanta Preservation Center, who suggested consulting Sanborn Fire Maps. Thanks to the DLG’s extensive digitized archive of Sanborn maps, the former site of the orphanage and daycare has been located in the Reese Street Historic District. The Home once stood near what is now the Athens Masonic Association, formerly Athens High and Industrial School, the first Black public high school in Georgia. Just a few blocks away from the Home would have been the Knox Institute, a Black school opened by the Freedmen’s Bureau just after the Civil War. While Bass Holsey’s Home, like the Knox Institute, no longer stands, its history is another salutary reminder of this neighborhood’s position as a rich site of early Black institution-building.
Bass Holsey’s and the Home’s story continues. Conversations, chance discoveries, and the addition of newly digitized newspapers and other records will, I hope, turn up new information. The next step? To find some way to visibly, publicly acknowledge this culturally significant site that adds yet another layer to the story of Black history and early Black activism in Athens.
Directory, City of Athens, Georgia [1909]. Athens Directory Company: 1909, p. 128. Courtesy of University of Georgia, Map and Government Information Library, https://dlg.usg.edu/record/dlg_acd_acd1909.
Minutes 1899-1911, p. 93. Athens Woman’s Club collection, Heritage Room, Athens-Clarke County Library, Athens, Ga., as presented in the Digital Library of Georgia. https://dlg.usg.edu/record/dlg_awcm_awc001
Sanborn Map Company. Insurance maps of Athens, Clark[e] County, Georgia, April 1908, p. 8. University of Georgia Libraries Map Collection, Athens, Ga., presented in the Digital Library of Georgia. https://dlg.usg.edu/record/dlg_sanb_athens-1908#item
—Sidonia Serafini, Ph.D. candidate in English, University of Georgia
