From 1940 through the mid-1980s, she made landscape designs for clients in Savannah, Georgia, and throughout the Southeast.
“These designs provide insight into the less-well documented elements of preservation and restoration projects throughout the state,” notes G. Andrew Fleming, the Friends of Georgia State Parks & Historic Sites executive director.
“Clermont Lee was a pioneering figure in the history of landscape architecture,” says Nate Pedersen, Manager of the Archival and Reference Team at the Georgia Historical Society. “We expect her drawings to be of significant interest to historic preservationists, landscape architects, gardeners, and scholars around the country. As such, we are delighted to be able to freely share her drawings online and are grateful for the support from the Digital Library of Georgia.”
Plans for many Georgia and South Carolina residences, churches, schools, city blocks, office buildings, parks, airports, and historic sites are among the detailed design drawings now available at GHS. Lee is probably best-known locally for her mid-to-late twentieth-century work designing formal gardens for several of Savannah’s historic house museums, including the Owens-Thomas House and the Green-Meldrim House, as well as plans for several of the Landmark District’s beloved squares. Across the state, Lee’s designs include plans for the Chief Vann House in Murray County and Baptist Village in Waycross.
Fleming also adds: “These types of records are invaluable in helping establish a complete picture of our state’s historic spaces.”
About Clermont Lee
Clermont Huger Lee, born in Savannah in 1914, was the city’s first female architect in private practice. She worked as an assistant to T.M. Baumgardner of the Sea Island Corporation during the Great Depression. She became interested in historic gardens in the 1940s after receiving her education at Barnard and Smith Colleges.
As one of the first professional female landscape architects in Georgia, Lee worked with and independently of some of her era’s leading preservationists. She focused on preserving, recreating, and reinterpreting historic gardens and landscapes. This was an aspect of the preservation movement that she felt was ignored in many plans that focused on historic structures.
Lee represents a less recognized part of the movement’s story as both a professional woman working in the field and as a preservationist focused on the natural environment. Historic preservation, particularly during the mid-twentieth century, was associated primarily with professional male architects and developers. Women (usually wealthy white women) worked as volunteers and activists.
In addition to her work in Savannah, she worked on projects throughout Georgia and in cities such as Jacksonville, Florida, and Hilton Head, South Carolina. Lee also worked on the founding of the Georgia State Landscape Architects Board.
Clermont Lee passed away in 2006 on Hilton Head Island, South Carolina.
About the Georgia Historical Society
Georgia Historical Society (GHS) is the premier independent statewide research and educational institution responsible for collecting, examining, and teaching Georgia history. GHS houses the oldest and most distinguished collection of materials related exclusively to Georgia history in the nation. Visit georgiahistory.com/
In 2020, the Digital Library of Georgia partnered with the Rylander Theatre, providing $7500 worth of services as part of its collaborative digitization grant program. Together, they built and described Rylander Theatre Special Collections, a digital collection covering the theater’s “first life” spanning 1921-1957. The collection includes rare photographs of the building and the small businesses in its Americus business neighborhood, as well as membership cards, numerous souvenir programs, theater posters, coupon books, fliers, and handbills.
“I consider the Rylander Theatre’s history to be part of President Carter’s history, as the young Carter would often attend shows at the theatre during the same era these items were created.”
United States presidents have often intermingled with motion picture culture throughout history. Former presidential appearances in Hollywood films include Donald Trump’s cameo in Home Alone 2 (1992), Bill Clinton in First Kid (1996), or the actor-turned-politician Ronald Reagan’s performances in Alice in Movieland (1940) and It’s a Great Feeling (1949). However, former president Jimmy Carter holds the crown for the most movies watched at the White House Family Theater, with 480 films seen during his 4-year term.
Carter, now 97, served as the United States’ president from 1977 to 1981. Before being elected president, Carter served in the U.S. Navy under Admiral Hyman Rickover, who led the U.S. nuclear submarine program; two terms in the Georgia Senate (1963-1967, pp. 382-383 of PDF); and one term as Georgia’s governor (1971-1975, pp. 27-28 of PDF). Defeated by Ronald Reagan in the 1980 presidential election, in 1982, Carter and former first lady Rosalynn Carter established the Carter Center, a non-partisan public policy organization.
Away from the high-stakes environment of Carter’s numerous careers, his secret love for movies was born in Americus, Georgia’s Rylander Theatre. After leaving his childhood town of Plains, Carter attended Georgia Southwestern College (later renamed Georgia Southwestern State University) in Americus, where he found the historic theater and soon became its most celebrated patron.
During his college years, Carter would often attend the Rylander Theatre’s movie screenings since it was one of the first establishments to show “talkies,” or movies with sound, that had transitioned from silent film between 1926-1930. These films, shown during the theater’s “first life” (1921-1951), were part of a program that included musicals, vaudeville shows, and silent films. Many advertisements for these events are available in historical issues of the Americus Times-Recorder in the Digital Library of Georgia’s Georgia Historic Newspapers portal and digitized through the National Digital Newspaper Program.
Carter’s passion for cinema grew during his term in the Oval Office. As a result, the genre or meaning behind a specific movie he watched would often coincide with key events during his presidency.
Some movies that President Carter watched during his term in office (with links to his diary entries on those days):
Thanks to Carter’s presidential daily diary, we can see that he and First Lady Rosalynn Carter viewed Star Wars (1977) on February 4, 1978, accompanied by Anwar and Jehan Sadat, the president and first lady of Egypt. This viewing coincided with one of the numerous visits from the Sadats throughout Carter’s presidency. Discussions from this February visit grew into the Camp David Accords in September of 1978, when Carter brokered a peace deal between Sadat and Israeli Prime Minister Menachem Begin. Whether or not the screening of Star Wars had an impact on the peace treaty is unknown, but conspiracy theorists have had fun imagining so over the years.
Another intriguing relationship from Carter’s watchlist includes viewing The Life of Emile Zola, a movie about the Nazi invasion of France during WWII (June 7, 1978). He watched this film on the same day he delivered a graduation speech at the United States Naval Academy in Annapolis, Maryland, emphasizing the importance of human rights in foreign policy.
The former president also viewed Frank Capra’s The Lost Horizon (1937) on September 15, 1979,one day after his approval ratings dropped to the lowest point for any president in three decades. On the same day, he fainted during a 10K road race. The Lost Horizon, a drama about a group of plane crash survivors who land in the remote Himalayas, likely served as an escape for Carter during the troubling times of his term.
As the 1950s began, The Rylander Theatre had already started to see the end of the business as they knew it. A new and larger theater, namely The Martin Theatre, began pulling in the business of Rylander’s market and even started taking major movie releases, relegating Rylander to “B-grade” movie screenings. As of 1951, the Rylander Theatre was closed for business indefinitely.
Its doors would remain closed until the city of Americus, Georgia, Governor Roy Barnes, and other foundations and private donors managed to raise 4.8 million dollars in funding to restore the building. Then, reopening on President Carter’s birthday, October 1, 1999, along with an auditorium (the Jimmy Carter Auditorium) named after the former president, the “finest playhouse south of Atlanta” began anew. The meticulous renovations were rewarded with a 2000 Preservation Award from the Georgia Trust for Historic Preservation.
Since reopening, the Rylander Theatre has offered live performances, musicals, and organ concerts on its 1928 Möller Deluxe Theatre Pipe Organ (one of only three in the state), movies, community theater, as well as other events throughout the year.
Like many other small businesses, the COVID-19 pandemic impacted the theater significantly, causing financial hardships and resulting in the theater’s closing its doors for an entire 13-month period, spanning from March 2020 to April 2021. Thankfully, since then, the theater has reopened for weekly programming.
Page from February 4, 1978, daily diary of President Jimmy Carter where President Carter and First Lady Rosalynn Carter watched Star Wars accompanied by President Anwar Sadat and First Lady Jehan Sedat of Egypt.An Americus Times-Recorder ad for the Rylander Theatre, February 16, 1924. The ad details a romantic, sci-fi film, Black Oxen (1923), showing at the Rylander Theatre. The slogan for the movie was “A startling revelation of the secret of youth and beauty.” Digitized through the National Digital Newspaper Program (NDNP).A photo of the front of the Rylander Theatre when it was under the ownership of the Martin Theatre Company, a chain of more than sixty-five theaters owned by R. E. Martin of Columbus, Georgia. The marquee reads, “Mon Tue Bette Davis, Edw[ard] G. Robinson in Kid Galahad [1937].”The ad details the attractions showing at the theatre for Thanksgiving week. Digitized through the National Digital Newspaper Program (NDNP).A program from the Rylander Theatre gala opening on January 21-22, 1921 for the play “Lightnin’ (1918)” containing cast and Rylander Theatre personnel information and local advertisements.
