Tag: Civil Rights & Sunbelt Georgia (1945-1980s)

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Scrapbooks from the Atlanta Symphony Orchestra documenting the Civil Rights Era are now available online

Atlanta Symphony Orchestra scrapbook 23, 1975-1976, page 10

In partnership with the Georgia State University Special Collections and Archives (Music and Broadcasting Collections) the Digital Library of Georgia (DLG) has digitized 24 scrapbooks from the Atlanta Symphony Orchestra (ASO) Collection dating from 1945-1985 that are now available online as part of the Atlanta Symphony Orchestra Collection. 

This work was done as part of a competitive digitization grant intended to broaden partner participation in the DLG and provide digitization services costing up to $7500 for historic collections from non-profit Georgia cultural heritage institutions. 

In 2017, the ASO donated its institutional records to GSU Special Collections and Archives. Among these records were the scrapbooks, which include newspaper clippings of concert previews, reviews, and highlights of guest performers, composers, and conductors, as well as photographs, advertising materials, and organizational records such as memos and correspondence. 

Kevin Fleming, the popular music and culture archivist at Georgia State Libraries Special Collections describes the significance of this material that documents the arrival of the ASO’s Music Director Robert Shaw in the late 1960s, and the effects of the Civil Rights movement on the orchestra: 

“The few scrapbooks from this time period show similar changes as it relates to the orchestra. Nick Jones, ASO’s former program annotator, indicates that ‘under Shaw’s leadership, the ASO worked to improve its connections with minority communities, including actively seeking African American instrumentalists to fill vacancies in the orchestra. There are few Black soloists, instrumental or vocal, who did not perform with the ASO during Shaw’s tenure, and the Spelman and Morehouse College Glee Clubs have frequently been heard. In connection with Morehouse, the orchestra in 1972 gave the world-premiere staging of the first surviving opera by a black composer, Scott Joplin’s Treemonisha. Additionally, T. J. Anderson was the ASO’s Composer-in-Residence for the 1969-1970 season and works by African American composers including Anderson, Ulysses Kay, and George Walker were performed.’”

Kerry Brunson, a Ph.D. candidate in musicology at the UCLA Herb Alpert School of Music, describes the importance of having these materials freely available online to her students: 

“My students have created award-winning projects that pull from the ASO Archive’s digitized collection of photographs and concert programs. The addition of the scrapbooks would help provide context–not only would students have access to the rare ephemera within the scrapbooks themselves, but they would also be privy to what was deemed important by the people who compiled them.”

[View the entire collection online]

 

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About the Georgia State University Special Collections and Archives (Music and Broadcasting Collections)

The Georgia State University Archives Music and Radio Broadcasting Collections began as the Johnny Mercer Collection and grew to include related materials that include: other musicians’ and artists’ papers, early country, bluegrass and Southern gospel music, Atlanta Symphony Orchestra archives, and records of WSB Radio and other Georgia stations. The collection contains more than 20,000 pieces of published sheet music, Tune-Dex cards and arrangements by American songwriters, as well as 50,000 recordings from a variety of genres. For more information, visit the Music and Radio Broadcasting Collections research guides at research.library.gsu.edu/musicradio 

 

About the Atlanta Symphony Orchestra

The Atlanta Symphony Orchestra continues to affirm its position as one of America’s leading orchestras with excellent live performances, renowned guest artist features, and engaging education initiatives. As a cornerstone for artistic development in the Southeast, the Atlanta Symphony Orchestra performs a full schedule of more than 150 concerts, including educational and community concerts, each year for a combined audience of more than a quarter-million people. Visit www.aso.org

 

About the Digital Library of Georgia

Based at the University of Georgia Libraries, the Digital Library of Georgia is a GALILEO initiative that collaborates with Georgia’s libraries, archives, museums, and other institutions of education and culture to provide access to key information resources on Georgia history, culture, and life. This primary mission is accomplished by developing, maintaining, and preserving digital collections and online digital library resources. DLG also serves as Georgia’s service hub for the Digital Public Library of America and as the home of the Georgia Newspaper Project, the state’s historic newspaper microfilming project. 

Visit the DLG at dlg.usg.edu.

Facebook: http://facebook.com/DigitalLibraryofGeorgia/ 

Twitter: @DigLibGA

 

Selected images from the collection:

Atlanta Symphony Orchestra scrapbook 23, 1975-1976, page 10
Title : Atlanta Symphony Orchestra scrapbook 23, 1975-1976, page 10
Description: Page of scrapbook containing news clippings, photographs, and ephemera detailing the concert performances and activities of the Atlanta Symphony Orchestra from 1975-1976.

 

 

 

 

 

 

 

 

Atlanta Symphony Orchestra scrapbook 14, 1961-1964, page 7
Image courtesy of Georgia State University. Special Collections Title : Atlanta Symphony Orchestra scrapbook 14, 1961-1964, page 7 Description: Page of scrapbook containing news clippings, photographs, and ephemera detailing the concert performances and activities of the Atlanta Symphony Orchestra from 1961-1964.
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Birth Registers From Historically Endangered Georgia Nursing Home For Expectant African American Mothers Now Available Freely Online

The Georgia B. Williams Nursing Home in Camilla, Georgia, and the Digital Library of Georgia have worked together to digitize and present online the birth registers of the mothers and babies born at the Georgia B. Williams Nursing Home between 1949-1971. 

This nursing home, located at the home of state-certified midwife Mrs. Beatrice (“Miss Bea”) Borders (1892–1971), was the first and only professional birthing center in the rural South where African American women were allowed by local doctors to receive midwife delivery for their newborns during segregation, Jim Crow depression, and medical deprivation in the 20th century. 

“Miss Bea” and her assistants oversaw over 6,000 births and provided a safe place for African American mothers who had nowhere else to go.

These birth records were recorded in mid-century composition notebooks and contain essential genealogical information. 

Depending on the volume, some entries include the mother’s name, the date she entered the facility, the time of the birth, the baby’s weight, the baby’s gender, and whether there were any complications such as stillbirths. Some entries include additional genealogical information such as occupation, age, and address, birthplace, number of children in the family, and the name of the father.

Melissa Jest, program coordinator for African American Programs at the Georgia Historic Preservation division of the Georgia Department of Community Affairs says: 

“The digitization and cataloging of the records from this Black-owned/operated business present an opportunity for students and researchers to learn about this historically significant place and the people who entered its doors. 

It is our hope that this project will bring awareness to Mrs. Borders and will build support for the physical preservation of where she did her work.

The Georgia B. Williams Nursing Home in Camilla, Georgia survives as a very rare example of a professional birthing center run by Mrs. Borders, a state-certified midwife.  Increased access to the business records and related documents generated between 1941 and 1971 will assist hundreds of people researching their genealogy and roots in Mitchell County, Georgia.”

View the entire collection online

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About the Georgia B. Williams Nursing Home

Listed on the National Register of Historic Places in 2011 and named one of America’s 11 Most Endangered Historic Places by the National Trust for Historic Preservation in 2021, the Georgia B. Williams Nursing Home in Camilla, Georgia was the private residence and nursing center for a third-generation African American midwife Beatrice Borders (1892-1971), in Camilla, Georgia who provided safe, patient-focused health care for expectant African American mothers during segregation in the 20th century. Learn more at beasbabies.org.  

About the Digital Library of Georgia

Based at the University of Georgia Libraries, the Digital Library of Georgia is a GALILEO initiative that collaborates with Georgia’s libraries, archives, museums, and other institutions of education and culture to provide access to key information resources on Georgia history, culture, and life. This primary mission is accomplished by developing, maintaining, and preserving digital collections and online digital library resources. DLG also serves as Georgia’s service hub for the Digital Public Library of America and as the home of the Georgia Newspaper Project, the state’s historic newspaper microfilming project. 

Visit the DLG at dlg.usg.edu.

Facebook: http://facebook.com/DigitalLibraryofGeorgia/ 

Twitter: @DigLibGA

Selected images from the collection:

Image courtesy of Georgia B. Williams Nursing Home
Title : Book O, 1957 Deliveries
https://dlg.usg.edu/record/gwnh_gwnh_book-o-1957 
Description: Birth register completed by Beatrice Borders, an African American state-certified midwife who established the Georgia B. Williams Nursing Home in Camilla, Georgia, a professional birthing center that served African American women during segregation in the twentieth century. This register accounts for 26 deliveries that took place in 1957. It also lists the “Ga. B. Williams Nursing Home” street address at 176 Dyer Street, Camilla, Georgia.

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