Issues of the Mission Messenger Now Available Freely Online

19th and 20th-century issues from the journal of the largest group of Protestant women in the world have just been digitized. Mercer University Special Collections and Archives have partnered with the Digital Library of Georgia (DLG) to digitize Mercer’s run of the Mission Messenger from 1895-1921, published monthly by the Woman’s Baptist Missionary Union of Georgia (WBMU), more commonly known today as simply the Woman’s Missionary Union (WMU)

The Mission Messenger was digitized and described as part of the DLG’s competitive digitization subgrant program, broadening partner participation amongst nonprofit cultural heritage institutions across the state.  The collection was transferred to Mercer directly by the WMU, making it likely the most complete run of the Mission Messenger for the period. 

Starting from a handful of women in 1888 as the WBMU, the organization became the largest Protestant group for women in the world, with a membership of approximately 1 million. It was also the first and remains the largest body of organized laity in the Southern Baptist Convention.

Women’s organizations like the WBMU played a significant role in American life during the 19th and early 20th centuries, mobilizing women to raise money for Southern Baptist missions worldwide. 

Written contributions to the Mission Messenger came from a broad variety of WBMU members across the state. 

One of its most famous contributors was Mary Emily Wright Wilbur, a notable female leader of fin de siècle Georgia and the first member of WBMU leadership, who served as one of the publication’s early editors from 1899-1906. 

Although consigned to the private sphere of the home by law and custom, women influenced the public sphere of policy and society through organizations dedicated to causes such as temperance, poverty relief, anti-slavery, and suffrage, among others. 

Reports from local church chapters, adult and children’s programming suggestions, letters to the editor, financial reports, fundraising drives, Bible studies, and reports from Southern Baptist missionaries worldwide were regular features of the magazine and described how Georgia women viewed the world and demonstrated Georgia’s influence across the globe.

Issues of the Mission Messenger show how Georgians responded to significant historical events, including:

  • the Spanish-American War
  • World War I
  • the flu pandemic of 1918
  • the Women’s Suffrage Movement

These issues are also a valued resource for scholars interested in:

  • 19th and early-20th century women’s history
  • Baptist history
  • Georgia history
  • the history of 19th-century international Baptists missions

Genealogists will also find this collection valuable because of the articles and entries documenting individual members and contributors. 

Beth Ann Williams, the current executive director of the WMU, emphasizes the importance of the Mission Messenger’s digitization: 

“What began as a small number of missionary societies in Georgia Baptist churches has grown into women’s ministries and missions discipleship for all ages for 3,600 churches. A digitized Mission Messenger provides widespread and easy access to state and church women’s leadership. [They] would be able to read first-hand about the successes, struggles, challenges, and accomplishments of the WBMU. What a valuable and interesting source to help highlight the early years of missionary giving and serving that was done by and through Georgia Baptist women.”

About Mercer University Archives and Special Collections

Housed in the Jack Tarver Library on Mercer University’s Macon campus, Special Collections is located on the Library’s 3rd floor and preserves the University’s archives and records from all Baptist traditions. Special Collections staff assist with University faculty, students, and staff as well as patrons from national and international scholarly communities. Visit https://libraries.mercer.edu/research-tools-help/archives for more information.

Selected images from the collection:

July 1895 issue of the Mission Messenter (front cover)

Image courtesy of Mercer University Archives and Special Collections

Title: The Mission Messenger Volume 1, Number 7: July 1895 (Atlanta, Georgia).

https://dlg.usg.edu/record/mercer_col-10898-12395_13196 

January 1921 issue of the Mercer Messenger (cover page)

Image courtesy of Mercer University Archives and Special Collections

Title: The Mission Messenger: January 1921 (Atlanta, Georgia).

https://dlg.usg.edu/record/mercer_col-10898-12395_13439 

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Historic Materials from the Rylander Theatre, President Jimmy Carter’s Childhood Theatre in Rural Americus, Georgia, Now Available Online

The Friends of the Rylander Theatre, winners of a 2021 Georgia Historical Records Advisory Council (GHRAC) grant, have partnered with the Digital Library of Georgia (DLG) to make materials documenting the Americus, Georgia theater’s history from 1921 to 1957 available freely online. 

Rylander Theatre Special Collections was digitized and described as part of the DLG’s competitive digitization subgrant program, broadening partner participation amongst nonprofit cultural heritage institutions across the state. 

The items in this collection show the “first life” (1921- c. 1951) of the Rylander Theatre and the various types of entertainment the establishment hosted, including live musicals, vaudeville shows, and movies (both silent and “talkies”). In addition, a 1929 school club card and a 1930 theater coupon book show a detailed picture of Depression-era Americus, the popular tastes of this South Georgia town, and details of how local businesses sought to incentivize commerce in their communities during dire times. 

Other materials, like photographs, programs, and fliers, provide factual information like names and dates on programs, visual and aesthetic information such as the design of movie advertisement floats in the lobby of the Rylander. The interior design and decoration of the soda shop owned by local businessman George Saliba attached to the Rylander Theatre (and identified in the 1937 Americus city directory as “George’s Place”) are essential to researchers who wish to fill in details related to life in south Georgia. There are also key examples of rural southern movie theater culture within the Jim Crow era, where establishments like the Rylander accommodated segregated audiences and the impact of the Hays Code (the motion picture industry’s self-imposed production code implemented between 1934 and 1968). 

Researchers interested in the early life of young Jimmy Carter (the Rylander Theatre’s most famous local patron) would also find the materials in this collection enlightening. Those researchers can dig even deeper into advertisements for Rylander Theatre programming that appear in issues of the Americus Times-Recorder digitized for presentation in Georgia Historic Newspapers. And Carter researchers will be able to connect his lifelong enthusiasm in movies to his presidential daily diary.

Jacob A. Ross, Park Ranger at the Jimmy Carter National Historical Park in Plains, Georgia, describes the importance of this collection: 

“As a park ranger for the Jimmy Carter National Historical Park, I consider the Rylander Theatre’s history of being part of President Carter’s history, as the young Carter would often attend shows at the Theatre during the same era these items were created. As a historian interested in southern American culture, this collection has been an enlightening and revealing addition to the unique entertainment and racial histories of theater venues in southwest Georgia…These items also appeal to communities looking to perform a similar restoration of their local theater.”

[View the entire collection online]

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About the Friends of the Rylander Theatre (Americus, Ga.) 

The Rylander Theater in Americus, Georgia, provides community and area visitors a theater and meeting hall for dramatic and musical stage performances, motion pictures, and lectures, with its unique architecture, artistic legacy, and social history to be interpreted through tours and other educational presentations. Read more at rylander.org

Selected images from the collection:

A black-and-white photo of the facade of the Rylander Theatre in Americus, Georgia. The marquee reads "Mon Tue Bette Davis Edw[ard] G. Robinson in Kid Galahad." A young man sits on top of a motorcycle as he looks back at the theater, and pedestrians walk along the sidewalk in front of the theater.
Title: Mon Tue Bette Davis Rylander Theatre street view. Credit: Image courtesy of the Rylander Theatre. Description: A photo of the front of the Rylander Theatre when it was owned by the Martin Theatre Company, a chain of more than sixty-five theaters owned by R. E. Martin of Columbus, Georgia. The marquee reads “Mon Tue Bette Davis Edw[ard] G. Robinson in Kid Galahad.”
Black-and-white photograph of man standing in front of a theatre placard. The movies on display include The Thin Man (1934), starring William Powell and Myrna Loy; and The Plainsman (1936), starring Gary Cooper and Jean Arthur. The display also announces that the "Imperial Hawaiians," a group of male musicians, were scheduled to perform onstage. The "R" at the top of the display as well as the architectural details at the top of the photograph point to the location of this photo as the Rylander Theatre, in Americus Georgia.
Title: Parade of spring attractions. Credit: Image courtesy of the Rylander Theatre. Description: Original photo of movie display in the entryway of the Rylander Theatre when it was under Martin Theatre management. The Martin Theatre chain was comprised of more than sixty-five theaters in Georgia, Alabama, and Florida owned by R. E. Martin of Columbus, Georgia. The movies on display include After The Thin Man (1936), starring William Powell and Myrna Loy; and The Plainsman (1936), starring Gary Cooper and Jean Arthur. The display also announces that the “Imperial Hawaiians,” a group of male musicians, were scheduled to perform onstage. The “R” at the top of the display as well as the architectural details at the top of the photograph point to the location of this photo as the Rylander Theatre, as opposed to the Martin Theatre that opened up across town in 1957.

 

 

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